We have been thinking about what a group of people the owners of Huizhou Zhongzhou are? They should be the elite who have seen much of the world and now returned to oriental aesthetics; they should be the gentlemen who have humanistic feelings and need to find a sense of national belonging in a larger space. Therefore, in the design of the project, we have adopted a style that integrates a new Chinese style with the new classicism. When the Chinese style bumps into the Western style and classic bumps into modernity, a ray of harmony has arisen in the process that seems trapped in conflicts and clashes.